V.A.A. Air Jordan 1 “Alaska”: A Quiet Manifesto

V.A.A. Air Jordan 1 “Alaska”: A Quiet Manifesto

Non tutte le sneaker sono fatte per essere rumorose. Alcune sono costruite per essere comprese.

La V.A.A. Air Jordan 1 “Alaska” rientra in questa seconda categoria: un’uscita che non cerca attenzione, ma ridefinisce ciò che una sneaker può rappresentare.

V.A.A. (Virgil Abloh Archive) non è un marchio tradizionale. Non segue drop stagionali né cicli di tendenza. Esiste piuttosto come un’estensione della filosofia progettuale di Virgil Abloh.

Alla base, V.A.A. riguarda la conservazione di una mentalità:

Il design come processo, non come risultato
L’imperfezione come intenzione
Il contesto come strumento

Piuttosto che celebrare prodotti finiti, V.A.A. mette in luce la fase intermedia, dove le idee sono ancora in evoluzione, ancora aperte.

“Alaska” si legge come un reset:

Essenziale
Quasi clinico
Privo di distrazioni

“Alaska” sembra più un sample preso direttamente da un tavolo di progettazione che un paio finito pronto per il retail. C’è la sensazione che ciò che indossi non fosse pensato per essere definitivo, ed è esattamente questo il punto.

Accanto alla Jordan 1 AQ0818-100, il contrasto è immediato:

Finito vs. in corso

AQ0818-100 appare completo. “Alaska” intenzionalmente irrisolto.

Rifinito vs. grezzo

Esecuzione pulita contro costruzione esposta, bordi visibili e texture stratificate.

Decorativo vs. informativo

Dove AQ0818-100 resta discreta, “Alaska” introduce segni e indicazioni tecniche più simili a note di fabbrica che a branding.

Accessibile vs. concettuale

Una è facile da indossare. L’altra invita all’interpretazione.

“Alaska” non è semplicemente un’altra iterazione di un classico.

È un promemoria che il design non finisce quando un prodotto è completato.

Si colloca tra archivio ed esperimento: meno nostalgia, più continuità. Una sneaker non come conclusione, ma come un’idea ancora in movimento.

La ciliegina sulla torta di questo pack già completo è il booklet. Uno sguardo quasi voyeuristico in uno dei quaderni su cui Virgil annotava le sue idee. Una fonte immensa di ispirazione dove materiali, colori e una totale immersione nella mente creativa vengono mostrati.

Non possiamo che provare rispetto per Virgil Abloh e il lascito che ha lasciato. Andato via troppo presto. Che possa riposare in pace e che il suo lascito continui a vivere.

Torna al blog

Lascia un commento

Si prega di notare che, prima di essere pubblicati, i commenti devono essere approvati.

Otros blog posts

New Balance 1890 on Film, Part 2: One Night at Gallery Noir

New Balance 1890 on Film, Part 2: One Night at ...

Part 2 of our New Balance 1890 project: we turned Espacio Amen in Malasaña into Gallery Noir to show four photographers' work on analog film.

Lire la suite

New Balance 1890 on Film, Part 2: One Night at ...

Part 2 of our New Balance 1890 project: we turned Espacio Amen in Malasaña into Gallery Noir to show four photographers' work on analog film.

Lire la suite
Kiko Kostadinov x Oakley Ellipse: Feathers, Wood Grain and a Logo You Can Wear

Kiko Kostadinov x Oakley Ellipse: Feathers, Woo...

The Kiko Kostadinov x Oakley Ellipse brings feather and wood grain finishes off the Paris runway. Amherst Fade with Prizm Bronze lenses at NOIRFONCE Madrid.

Lire la suite

Kiko Kostadinov x Oakley Ellipse: Feathers, Woo...

The Kiko Kostadinov x Oakley Ellipse brings feather and wood grain finishes off the Paris runway. Amherst Fade with Prizm Bronze lenses at NOIRFONCE Madrid.

Lire la suite
Tom Sachs x NikeCraft GPS "Demerits": Break the Rules, Wear the Penalty

Tom Sachs x NikeCraft GPS "Demerits": Break the...

The Tom Sachs x NikeCraft General Purpose Shoe "Demerits" (FZ1363-002): a black leather GPS born from a school dress code and a marker pen. Out Sept 30.

Lire la suite

Tom Sachs x NikeCraft GPS "Demerits": Break the...

The Tom Sachs x NikeCraft General Purpose Shoe "Demerits" (FZ1363-002): a black leather GPS born from a school dress code and a marker pen. Out Sept 30.

Lire la suite
Mowalola x Air Jordan 14: A Relic, Waiting to Be Found

Mowalola x Air Jordan 14: A Relic, Waiting to B...

The Air Jordan 14 designed by Tinker Hatfield and released in 1998, takes its cues from the Ferrari 550 Maranello: a crest-like badge, a sole that nods to racing tyres, and seven Jumpman logos hidden across the shoe, as if waiting to be counted. It's the shoe Michael Jordan wore for the Last Shot in Game 6 of the 1998 Finals. Few Jordan silhouettes carry that much story in that much detail. Now Mowalola Ogunlesi has taken hold of it. Born in Lagos, trained at Central Saint Martins, former design director of Yeezy Gap, she is one of the most distinctive voices in fashion today. Her first Jordan Brand collaboration is an AJ14 in Black/Burnt Red–Metallic Gold (IQ5708-001), unveiled in Paris this summer. The campaign is called "Something's Off". It's a good title. Because something is. The upper is a burnt red-brown that looks aged rather than new, as if it has already lived a life. The midsole is blacked out. Plaid appears where you least expect it: at the heel and throughout the lining, red against black. The side window, traditionally home to the shield-shaped crest, now holds a round branded emblem. Underneath, "XIV" and a Jumpman sit in deep wine red, while touches of metallic gold keep the Ferrari roots quietly in view. Alongside it, Mowalola also released a backless AJ14 mule in aged metallic silver. Then there's the lettering. "MOWALOLA" runs across the side panels in an oversized cursive script, closer to a signature than a logo. It isn't printed. It's stitched: a dotted line of thread traces every letter, so the name feels drawn rather than stamped. On the insole, the same script returns on a bordeaux-red graphic, just below the Jumpman. This matters because the Air Jordan 14 is a shoe built on logos. Seven Jumpmen, a crest, a "23", an "XIV". Everything is precise, engineered, placed with the discipline of a car designer. Mowalola answers all of it with one word, written the way you would sign something you made yourself. Cursive is personal. It's a little imperfect, a little intimate, and it never looks exactly the same twice. Against the clean geometry of a Ferrari-inspired silhouette, it reads like a name carved into something old. A mark left by whoever held it before you. And the word itself is not just a brand. Mowalola is the designer's first name. On this shoe, the brand and the person are the same thing, written in the same hand. Who drew it? Neither Jordan Brand nor Mowalola has publicly credited a lettering artist for the collaboration. What we know is that the script is Mowalola's own signature mark, and that on the AJ14 it was translated into thread rather than ink. There's something about Jordans above the 11 these days. The 12s, 13s, 14s and beyond don't carry the same noise as the early numbers, and that's exactly what makes them exciting. Picking one up feels like discovery. The tones, the lines, the details you only notice the second or third time you look. They reward attention. With this AJ14, we wanted to take that feeling further. The aged upper, the muted palette, a name stitched into its side: the shoe almost feels like a relic. Something unearthed rather than unboxed. Something that needs to be delicately discovered. So we went after that idea in a dramatic way -deep shadow. Light used sparingly, only where it needs to fall. Details revealed one at a time, the stitching, the plaid, the gold, the way you would uncover an artefact: slowly, carefully, without rushing to see it all at once. We didn't want the images to explain the shoe. We wanted them to make you lean in. Photography has always been one of the ways we think about objects, from our own shoots to the work we admire, like Paolo Roversi's Doubts. Here, the goal was simple: treat a sneaker with the patience you would give to something rare. The Air Jordan 14 was designed around speed, precision and a car built in Maranello. Mowalola slowed it down. She aged it, marked it and signed it, and turned one of the most engineered shoes in the archive into something that feels personal. Some sneakers are made to be seen. This one is made to be found. The Air Jordan 14 x Mowalola "Burnt Red" is available now at Noirfonce. Explore the rest of our Jordan collection, or read about another Jordan collaboration rooted in culture: Jordan 16 x Free the Youth.

Lire la suite

Mowalola x Air Jordan 14: A Relic, Waiting to B...

The Air Jordan 14 designed by Tinker Hatfield and released in 1998, takes its cues from the Ferrari 550 Maranello: a crest-like badge, a sole that nods to racing tyres, and seven Jumpman logos hidden across the shoe, as if waiting to be counted. It's the shoe Michael Jordan wore for the Last Shot in Game 6 of the 1998 Finals. Few Jordan silhouettes carry that much story in that much detail. Now Mowalola Ogunlesi has taken hold of it. Born in Lagos, trained at Central Saint Martins, former design director of Yeezy Gap, she is one of the most distinctive voices in fashion today. Her first Jordan Brand collaboration is an AJ14 in Black/Burnt Red–Metallic Gold (IQ5708-001), unveiled in Paris this summer. The campaign is called "Something's Off". It's a good title. Because something is. The upper is a burnt red-brown that looks aged rather than new, as if it has already lived a life. The midsole is blacked out. Plaid appears where you least expect it: at the heel and throughout the lining, red against black. The side window, traditionally home to the shield-shaped crest, now holds a round branded emblem. Underneath, "XIV" and a Jumpman sit in deep wine red, while touches of metallic gold keep the Ferrari roots quietly in view. Alongside it, Mowalola also released a backless AJ14 mule in aged metallic silver. Then there's the lettering. "MOWALOLA" runs across the side panels in an oversized cursive script, closer to a signature than a logo. It isn't printed. It's stitched: a dotted line of thread traces every letter, so the name feels drawn rather than stamped. On the insole, the same script returns on a bordeaux-red graphic, just below the Jumpman. This matters because the Air Jordan 14 is a shoe built on logos. Seven Jumpmen, a crest, a "23", an "XIV". Everything is precise, engineered, placed with the discipline of a car designer. Mowalola answers all of it with one word, written the way you would sign something you made yourself. Cursive is personal. It's a little imperfect, a little intimate, and it never looks exactly the same twice. Against the clean geometry of a Ferrari-inspired silhouette, it reads like a name carved into something old. A mark left by whoever held it before you. And the word itself is not just a brand. Mowalola is the designer's first name. On this shoe, the brand and the person are the same thing, written in the same hand. Who drew it? Neither Jordan Brand nor Mowalola has publicly credited a lettering artist for the collaboration. What we know is that the script is Mowalola's own signature mark, and that on the AJ14 it was translated into thread rather than ink. There's something about Jordans above the 11 these days. The 12s, 13s, 14s and beyond don't carry the same noise as the early numbers, and that's exactly what makes them exciting. Picking one up feels like discovery. The tones, the lines, the details you only notice the second or third time you look. They reward attention. With this AJ14, we wanted to take that feeling further. The aged upper, the muted palette, a name stitched into its side: the shoe almost feels like a relic. Something unearthed rather than unboxed. Something that needs to be delicately discovered. So we went after that idea in a dramatic way -deep shadow. Light used sparingly, only where it needs to fall. Details revealed one at a time, the stitching, the plaid, the gold, the way you would uncover an artefact: slowly, carefully, without rushing to see it all at once. We didn't want the images to explain the shoe. We wanted them to make you lean in. Photography has always been one of the ways we think about objects, from our own shoots to the work we admire, like Paolo Roversi's Doubts. Here, the goal was simple: treat a sneaker with the patience you would give to something rare. The Air Jordan 14 was designed around speed, precision and a car built in Maranello. Mowalola slowed it down. She aged it, marked it and signed it, and turned one of the most engineered shoes in the archive into something that feels personal. Some sneakers are made to be seen. This one is made to be found. The Air Jordan 14 x Mowalola "Burnt Red" is available now at Noirfonce. Explore the rest of our Jordan collection, or read about another Jordan collaboration rooted in culture: Jordan 16 x Free the Youth.

Lire la suite
Adidas BadBo 1.1: Bad Bunny, Turned Down Low

Adidas BadBo 1.1: Bad Bunny, Turned Down Low

The adidas BadBo 1.1 by Bad Bunny: a bulky low-top with heritage details, shot in a music studio, plus his journey from SoundCloud to fashion.

Lire la suite

Adidas BadBo 1.1: Bad Bunny, Turned Down Low

The adidas BadBo 1.1 by Bad Bunny: a bulky low-top with heritage details, shot in a music studio, plus his journey from SoundCloud to fashion.

Lire la suite
New Balance 1890 on Film, Part 1: Four Photographers, Three Rolls, No Rules

New Balance 1890 on Film, Part 1: Four Photogra...

We gave four photographers three pairs of New Balance 1890 and three rolls of analog film. Part 1: a first look, and a question about creative freedom.

Lire la suite

New Balance 1890 on Film, Part 1: Four Photogra...

We gave four photographers three pairs of New Balance 1890 and three rolls of analog film. Part 1: a first look, and a question about creative freedom.

Lire la suite
Formula 1 Returns to Madrid: The Spanish Grand Prix at Madring

Formula 1 Returns to Madrid: The Spanish Grand ...

F1 is back in Madrid for the first time since 1981. We lived the first Spanish Grand Prix at Madring from the Audi Club Paddock, thanks to adidas Spain.

Lire la suite

Formula 1 Returns to Madrid: The Spanish Grand ...

F1 is back in Madrid for the first time since 1981. We lived the first Spanish Grand Prix at Madring from the Audi Club Paddock, thanks to adidas Spain.

Lire la suite
Noirfonce Paddock x adidas - Making It 1 of 1

Noirfonce Paddock x adidas - Making It 1 of 1

Custom adidas denim jackets, a breakfast workshop and a Scalextric track. Day 2 of Noirfonce Paddock with adidas Spain, ahead of the Spanish Grand Prix.

Lire la suite

Noirfonce Paddock x adidas - Making It 1 of 1

Custom adidas denim jackets, a breakfast workshop and a Scalextric track. Day 2 of Noirfonce Paddock with adidas Spain, ahead of the Spanish Grand Prix.

Lire la suite